In the second half of the semester, three themes have guided our class sessions. First, we have seenthe zombie as the product of a disease or at least of a biological condition, highly contagious and almost alwaysfatal (although its victims continue to “live”). Second, zombies have served to deliver a biting (pun intended!)commentary on the late capitalist world we inhabit, characterized by materialistic consumption, mindlessprogramming, and ever-greater social inequities. Third, most recently we have watched the zombie become asymbol for policies of dehumanization, brutalization, and incarceration, with the potential or actual consequenceof rebellion, of a zombie “takeover” or a zombie “revolution.”The three passages that follow present differing interpretations of how the zombie, whether cinematicallyor metaphorically, might be used to illuminate real-life conditions in today’s world.1) Writing on the re-imagining of the original Haitian/Caribbean zombie by George Romero (and hisimitators), John Cussans observes:During the late ’60s and ’70s the traditional cinematic zombie undergoes a shocking and rapidmutation, acquiring newfound virulent and cannibalistic characteristics. The films of this periodintroduce the theme of a zombie plague and an apocalyptic and hyper-visceral epidemic”¦.Thecannibalistic mutation of the zombie functions as an explicit critique of “life” in late capitalistsocieties rather than an implicit critique of non-Western cultural practices (Haitian or otherwise).”¦.The postmodern zombie movie ultimately questions the possibility of effective democraticpolitics in the face of a ubiquitous global threat to all human life. In this senseand also to theextent that it raises questions about what is truly human and what distinguishes “living” humanlife and “dead” human lifethe postmodern cannibal-zombie works like his Haitian relatives. Butit does so in an excessively violent, virulent, and collective manner. Ultimately these zombies aren’tworking for anyone or anything, except perhaps for the end of all things and of every one.”Teaching the Zombie Diaspora: From Subhuman Haiti to Postmodern Tucson,” in Monsters andthe Monstrous: Myths and Metaphors of Enduring Evil (Inter-Disciplinary Press, 2004).2) In an essay on the increasingly disruptive and divisive problem of illegal immigration in Europe andAmerica, Willem Schinkel writes:Irregular immigrants can be regarded as a by-product of modernization and the remnants of formerexploitation in what is known as the Third World. They are the by-products of the difference instandards of living between the self-proclaimed First World and other parts of the world”¦.In theNetherlands, as in almost all European countries, migrants captured on account of their being”illegal” are incarcerated and if possible repatriated”¦.Several detention centers exist to houseirregular immigrants prior to their forced return home”¦.The incarceration of irregularimmigrants is indicative of a shift in policy from welfare state to penal state”¦.Since the regular lawsdo not apply to him or her due to lack of citizenship or even “humanitarian status,” this alien canbe incarcerated for an indefinite period of time.”¦.The illegal immigrant is located at the crossroadsof debates about globalization, the state, justice, human rights, and citizenship, to name afew”¦.Many immigrants are incarcerated because their identity in unknown. Their identity, then,is reduced to “having no known identity.” Their place of incarceration is a non-place in the sensethat no positive identity can be gained from dwelling in itwhich is a permanent state of transition,of living in a void.””Illegal Aliens’ and the State, or Bare Bodies vs. the Zombie,” International Sociology, 24/6 (November2009).3) Finally, writing in the context of the policies, foreign and domestic, that characterized the BushAdministration from 2001 to 2009, Henry Giroux has this to say about the state of America:Only a decade or so ago, citizens feared the wrath of robotsterminators and cyborgswho wantedto destroy us, the legacy of a highly rationalized, technocratic culture that eludes human regulation,even comprehension. That moment has passed”¦.At present Americans are fascinated by adifferent kind of monstrosity, by vampires and zombies condemned to live an eternity by feedingoff the souls of the living”¦.Death-dealing politicians and their acolytes support modes of corporateand militarized governance through which entire populations now become redundant, disposable,or criminalized”¦.There are no zombie-free spaces in this politics, as a country paralyzed by fear hasbecome the site of a series of planned precision attacks on constitutional rights, dissent, and justiceitself. Torture, kidnappings, secret prisons, preventive detention, illegal domestic spying, and thedissolution of habeas corpus have become the protocol of a newly fashioned dystopian mode ofgovernance”¦.Zombie politics supports mega-corporations that cannibalize the economy, feedingoff taxpayer dollars while undercutting much needed spending for social services. The vampires ofWall Street reach above and beyond the trajectories of traditional politics, exercising an influencethat has no national or civic allegiance, displaying an arrogance that is as unchecked as its power isunregulated”¦.Zombie politics are everywhere backed up by an army of zombie economic advisors,lobbyists, and legislators, all of whom seem to revel in spreading the culture of the undead whilefeasting on the spread of war, human suffering, violence, and catastrophe across the United Statesand the larger globe.”Zombie Politics and Other Late Modern Monstrosities in the Age of Disposability,” Truthout (online),November 2009.Drawing references and examples from the films we’ve watched and discussed in the second halfof the semester (including those described in the in-class presentations), write an essay on which of these threecommentaries best forecasts where zombies are going next and what role they will play in our near-termfuture.Yes, this requires a measure of advanced thinking. But as we agreed at the start of the semester, thiscourse has not been about just watching zombie movies. It has been about discovering what zombie movies tell usabout ourselves, the values we claim to uphold, and the places we think we may be heading.4 to 5 pages, double-spaced, e-mailed to me as a Word attachment no later than 4 PM on Wednesday, May1st, using the college e-mail system. Watch for a confirmation from me. If you don’t get an acknowledgementfrom me, I haven’t received your exam
COM245 Haitian and Caribbean Zombie by George Romero Discussion Paper
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